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Attilio Pusterla
Attilio Pusterla (Milan, Italy, 1862 – Woodcliff, New Jersey, United States, 1941) was an Italian painter.
==Biography==
By 1880, he attended the Brera Academy alongside Filippo Carcano, Emilio Longoni, and Angelo Morbelli. He allied himself to the style and subjects of Vittore Grubicy, and resided in Milan.〔(Il Divisionismo Exhibition ), Fondazione Tortona.〕
He was a resident of Milan. In 1883 in Milan and Rome, he exhibited ''Effetto di sole''. Also in Rome, he displayed another canvas depicting ''Motterone sul Lago Maggiore''. At the 1886 Promotrice (and in 1887 in Venice) he sent ''Vecchio pescatore'', ''La questua dei poreri'', and ''Dopo una predica'' (After the Sermon). At 1886 in Milan, he sent ''Portrait of his father'' and ''Portrait of painter Gustavo Macchi''. He then began painting genre figures of contemporary working class life, including ''Cucine Economiche'', ''An English Marriage in a Cemetery'', and the ''Bevitrici di Sangue''.〔( ''Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.'' ), by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 622-623〕
His social content did not gain him economic success, and by 1900 he had moved to the United States. Among his works in North America were some of the frescoes on the Astoria Column in Oregon, as well as frescoes in the Senate Banking & Commerce Committee Room and in the House of Commons in Ottawa.〔(News item on frescoes ).〕〔(Collections of Parliament ).〕 Pusterla, as part of WPA-sponsored projects employing artists, directed much of the frescoes for the New York County Supreme Courthouse on Foley Square.
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